Dreaming Animals

Animals play a significant role in this theatrical narrative, establishing a direct connection with the observer, effectively breaking the fourth wall. Bakshi, himself an émigré from Kashmir, grapples with the uncertainty of displacement. His lyrical graphic poem emerges from an intense artistic process, where words serve to enhance the seemingly innocent paintings of his oeuvre.

Beneath the surface of these exquisite depictions of menace and nostalgia lies the journey of exile, portrayed through metaphorical images of predatory beasts juxtaposed against remembered landscapes. Ferocious cats and innocent horses seamlessly meld with abandoned settings steeped in nostalgia. This body of work resonates with profound gravity, infused with a deep sense of longing for Africa and Bakshi’s native Kashmir.

Moreover, within the intricate tapestry of Bakshi’s creations, there is a profound sense of connection between the observer and the depicted animals. Their presence not only adds layers of symbolism but also serves as conduits for the artist’s personal experiences and emotions. As Bakshi navigates the complexities of displacement and nostalgia, his artwork becomes a reflection of his inner journey, inviting viewers to explore their own emotions and memories alongside his evocative imagery.

Through meticulous exploration and artistic expression, Neeraj Bakshi transcends mere visual representation, inviting viewers into a realm where emotions and memories intertwine with the evocative power of art.