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Bakhiya
January 10, 2020 @ 11:00 am - 7:00 pm IST
To keep darning the cuts and slits in the vestments of memory:
How can the heart survive on this alone?
Undoing one stitch, and keep sewing in another:
Can a whole life be lived like this?
यादों के ग़िरेबानों के रफू पर दिल की ग़ुज़र कब होती है
इक बख़िया उधेड़ा एक सिया, यूँ उम्र बसर कब होती है
इक बख़िया उधेड़ा एक सिया, यूँ उम्र बसर कब होती है
یادوں کے گریبانوں کے رفو پر دل کی گزر کب ہوتی ہے
اک بخیہ ادہیڑا ایک سیا، یوں عمر بسر کب ہوتی ہے
Kintsugi is the Japanese art of repairing broken ceramic objects by enhancing the cracks in the ceramic-ware with gold embellishment. Here the gold fissure or scar becomes a testament to a difficult journey, and the marks of the wear add value to the object. We find reflections of this deeper philosophy of ‘not rejecting the imperfect ‘ in various other cultural traditions including Sufi . The practice of Bakhya, suturing the garment by the Sufi Darvesh (mendicant) symbolizes the meditative activity of not letting things fall apart.Textile traditions of Kantha, Sujani, Rafoo come from a similar philosophy of re purposing rather than discarding. It is a metaphor for embracing flaws and imperfections present in all human existence, where the fragility of life itself becomes its strength.
Through the works of these artists, the exhibition explores the resilience and tenacity of the human spirit to survive against seemingly insurmountable odds. Serving as a subtle reminder to the viewer to embrace and appreciate all aspects of life and revisit our conception of beauty/desirability not as the absence of imperfection but rather, by recognizing those very flaws as an inextricable part of what completes us – the fingerprints of life itself .
Tunty Chauhan
Details
- Date:
- January 10, 2020
- Time:
-
11:00 am - 7:00 pm IST
- Event Category:
- Art Exhibition
- Event Tags:
- Achia Anzi, Gargi Raina, Manisha Gera Baswani, Priya Ravish Mehra, Rajendar Tiku, Rubaba Haider, Yael Bartana