Ramachandran’s ‘Subaltern Nayika and Lotus Pond’
Into the second half of his eighties, the renowned A. Ramachandran acquired an unprecedented approach to his art. Ironically, the pandemic-induced lockdown was the trigger for it. Effectively detained in his Delhi home from early 2020, the artist began to spend almost the entire daytime in his studio, working on the canvas for unusually long […]





